who had been tipped off by a fellow-prisoner to what was thought to be a rich haul from a wealthy farmer. Are we so bankrupt, so avid for novelty that, merely because a famous writer produces an amplified magazine crime-feature, the result is automatically elevated to serious literature just as Andy Warhol, by painting a soup-carton, has allegedly elevated it to art? The lengthy and meticulous research that Capote undertook in order to put together that book also makes him alter ego to Alvin Dewey, the leader of the Kansas Bureau of Investigation team assembled to solve the homicides. The two had met at the Kansas State Penitentiary, and later it is an urgent message from Hickock to Smith summoning him to a score that sets the mechanism of murder into motion. One is responsible for ones actions.
A major break comes with a tip from Floyd Wells, who, while still in prison, hears of the Clutter atrocities and informs the warden of his conversations with Hickock. There seems to be an impulse to biography, towards preservation of self on paper, which is buried in the normally unliterate and which is released by an occasion that forces them to write. Another of Capotes achievements is to maintain a degree of independence from the material as he lays it before the reader, thereby creating the illusion of the omniscient narrator.
In the, life interview about this book Capote says: "My theory, you see, is that you can take any subject and make it into a nonfiction novel. However, there is little in Capote's book to tina essay in bob's burgers help clear that avenue. The chief defect, or imbalance, in the structure is that by page 74 we know that four people have been butchered by two degenerates and we wonder what in the world is going to occupy the remaining 269 pages. The important thing is the depth you can plunge to and height you can reach.". Any one of the pictures is worth several thousand of his words). The investigators solve the murder mystery halfway through the novel, but Capote keeps in the readers mind from beginning to end the mystery of how, in a larger sense, such evil intrudes into the Clutter world, a world of control, self-discipline, religious faith, and dedication. New Republic ) agreed that the narrative was compelling and the Kansas scenery vivid, but the writing was another matter. In non-fiction, particularly, the distinction between style and content is easier to make than in fiction and is more relevant. An old man who hissed at him: 'Killer!