again. This shows how Mercutio simply cannot understand Romeos love for Juliet, and that he sees his love as simply confused emotions. In this instance Mercutio is moving the play along by teasing Benvolio and Romeo into staying at the party longer, which turned out to be fatal. He on purpose annoys Tybalt, by doing things like purposely mistaking meanings of words, like in Act III Scene I, Tybalt begins addressing Mercutio about the relationship between Romeo and Juliet and Romeo takes the word consort as related to playing music, instead of being.
Mercutio in Romeo and Juliet In William Shakespeare s Romeo and Juliet, each character plays a specific role in driving the action forward and shaping the play s theme. Mercutio also likes creating a scene when Benvolio tells Tybalt and. Mercutio to reason coldly of their grievances, Mercutio seems to not care in saying let them gaze,his own arrogance is leading to the tragedy of his death. Mercutio and Tybalt in Romeo and Juliet. Essays 1251 Words 6 Pages.
Mercutio ends the speech saying that dreams are children of an idle brain and dreams are nothing but hopes. Ay, ay, a scratch, a scratch (III.1.1597). A Character Analysis on Romeo, Juliet and Mercutio. While Benvolio is calm, sensible and reliable, Mercutio tends to be sarcastic that follows his emotions, but is still remembered as this distinctive dramatic character. The prologue also introduces fatalism to the audience as the word star-crossd lovers suggests stars determining destiny and the words crossd lovers foreshadow the death of the lovers. Therefore, he has not been born into broken family essay a feud and really has no side. He is very fun loving and has a true love for life. Mercutio is one of the most unique characters in Shakespeare's "Romeo Juliet". In that same scene, Mercutio reveals to the audience how he believes one should chase after what is desired. Mercutio In Romeo And Juliet Internet. Rosaline has vowed to live without getting married and without a lover. She adores Romeo, and states that she would rather die than enter into a false marriage with Paris; If all else fail, myself have power to die (III, v, 244).