rules and roles, structures and routines, and often these factors make things happen. There is a greater density of sound in the Project why? This is not to say that individuals make everything happen or that things always happen as people originally intended or that people always understand just why they did what they did. Now customize the name of a clipboard to store your clips. Far from facing bankruptcy, Warners was quickly expanding and investing in sound films was part of a carefully planned strategy for breaking into the ranks of the major studios. Perhaps this has been the case because Lubitsch has no one thematic concern underlying his work. Researchers are fond of saying that there is no film history, only film histories.
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They stand in for many other films of the same type. Cinematography manuals and the memoirs of people who had worked with Lubitsch filled in details of the directors working methods. Evidence helps us judge whether the historian has presented a plausible answer to the original question. Instead, because this was to be a stylistic analysis, I broke it down topically. For any part of the processes we focus on, we can ask what conditions caused them to operate as they did.
Exactly the way it was before the invention of TV/motion pictures.
But it s impossible to imagine a world without the big screen i f only because going to the movies has always been as much about the ritual.
Not for the sake of high art, but for simple escapism, argues.
I n this extract from her most famous essay, she explains why we should not be ashamed.